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・ Frederick Gordon Pearce
・ Frederick Gordon-Lennox, 9th Duke of Richmond
・ Frederick Gore
・ Frederick Gotthold Enslin
・ Frederick Gottlieb
・ Frederick Gottwald
・ Frederick Gough
・ Frederick Gough School
・ Frederick Gough-Calthorpe, 5th Baron Calthorpe
・ Frederick Goulburn
・ Frederick Gould
・ Frederick Gowland Hopkins
・ Frederick Grace
・ Frederick Graff
・ Frederick Grant Dunn
Frederick Grant Gleason
・ Frederick Graves
・ Frederick Gray
・ Frederick Gray (politician)
・ Frederick Green
・ Frederick Green (footballer)
・ Frederick Greenfield
・ Frederick Greenwood
・ Frederick Greer, 1st Baron Fairfield
・ Frederick Grey
・ Frederick Griffing's (ship)
・ Frederick Griffith
・ Frederick Griffith (disambiguation)
・ Frederick Grimke
・ Frederick Grimwade


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Frederick Grant Gleason : ウィキペディア英語版
Frederick Grant Gleason
Frederick Grant Gleason (born 17 December 1848 in Middletown, Connecticut - died Chicago, 6 December 1903) was an American composer, and director of the Chicago Conservatory from 1900-1903.
Gleason's father was a banker. Like many another well-to-do gentlemen, Gleason senior was an amateur flautist. He considered music a pleasant pastime but not a serious occupation. He wanted his son to enter the ministry - a good old New England tradition. But the son insisted on becoming a composer, and the father yielded. Gleason spent much of his early life in the neighboring city of Hartford, as a pupil of Dudley Buck, going in 1869 to Leipzig to study with Ignaz Moscheles and Hans Richter. After six years in Europe he returned to America, and in 1877 went to Chicago as a member of the faculty of the Hershey School of Music, of which Clarence Eddy (also a pupil of Buck) was the general director. Gleason was also active as a music critic. In 1897 he became president of an organization called the 'American Patriotic Musical League'. He was general director of the Chicago Conservatory from 1900-1903. According to Philo A. Otis, Gleason "was an idealist, a dreamer, though too much of a follower to be a leader."
Gleason's compositions include: the ''Festival Ode'' (words by Harriet Monroe) sung by 500 voices with orchestra at the opening of the Auditorium Theatre, Chicago on 9 December 1889;〔 With artist's sketch of Adelina Patti on the stage.〕 ''Processional of the Holy Grail'' written for the Chicago World's Fair; a symphonic Poem, ''Edris'', based on a novel by Marie Corelli; the tone poem ''Song of Life'' (after a poem by Swinburne); a Piano Concerto; a cantata with orchestra,''The Culprit Fay''; and two operas: ''Otho Visconti'' and ''Montezuma''. The former was produced at Chicago in 1907. He left other scores in manuscript, with instructions that they were not to publicly performed until fifty years after his death.
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